Victoria spent a considerable amount of time on the set of “Το Νησί”, the MEGATV adaptation of “The Island” for Greek television, contributing to the storylines (there are a number of characters and plot threads that do not appear in the novel), script editing, even helping to sew costumes for the series. These photos show her on the set with the cast, and in make-up, preparing for a small bit-part in the series as a patient suffering from leprosy. Victoria’s husband, writer and satirist Ian Hislop, also appears in the series as the father of Alexis – the only English character – though in the series he speaks his dialogue in Greek.
A collection of five short stories by Victoria , along with a preview of the first chapter of her upcoming novel The Thread, is published as an e-book exclusive on 15 September priced £1.99.
The stories (One Cretan Evening, The Pine Tree, By the Fire, The Warmest Christmas Ever and Aflame in Athens) are set in Greece and in England, told in Victoria’s unique voice. The ebook also includes a sneak preview of the opening chapter of ‘The Thread’, Victoria’s new novel: a powerful tale of love and loyalty, of family and loss set against the turbulent history of the city of Thessaloniki, Greece.
‘One Cretan Evening’ can be bought from all online retailers,
Victoria Hislop’s new novel, “The Thread”, is published by Headline books on October 27.
Synopsis
Thessaloniki, 1917. As Dimitri Komninos is born, a fire sweeps through the thriving multicultural city, where Christians, Jews and Moslems live side by side. It is the first of many catastrophic events that will change for ever this city, as war, fear and persecution begin to divide its people. Five years later, young Katerina escapes to Greece when her home in Asia Minor is destroyed by the Turkish army. Losing her mother in the chaos, she finds herself on a boat to an unknown destination. From that day the lives of Dimitri and Katerina become entwined, with each other and with the story of the city itself.
Thessaloniki, 2007. A young Anglo-Greek hears the life story of his grandparents for the first time and realises he has a decision to make. For many decades, they have looked after the memories and treasures of people who have been forcibly driven from their beloved city. Should he become their new custodian? Should he stay or should he go?
For more information on ‘The Thread’ and the troubled history of Thessaloniki, click here.
Reviews
“‘The Thread’ is a more ambitious novel than her previous books, more expansive in its sweep of history, more controversial in its political stance. Her many, many fans will be delighted with what is her best novel yet.” The Scotsman (full review)
“Hislop … is very good at interweaving the lives of individuals into the backcloth of great events… this is a writer of laudably high ambition and it would only take a small nudge to move her to a whole new level. Recommended” Daily Mail (full review)
[wtab name=”Trailer”][youtube]http://youtu.be/V_lGE0O09AI[/youtube][/wtab] [wtab name=”Background reading to The Thread”]
All novels which use history as a backdrop require and deserve diligent research into the world the writer hopes to portray. These are some of the books I read during my research for ‘The Thread’. In addition to these, there are others in the London Library, in the Modern Greek History section as well as in the Embroidery section:
Concise History of Greece – Richard Clogg
Hellas – Nikolaos Gatzogiannis
Remember Greece – Dilys Powell
The Colossus of Maroussi – Henry Miller
The Hill of Kronos – Peter Levi
92 Archanon Street – John Lucas
Greek Fire – Nicholas Gage
Salonica, City of Ghosts – Mazower
Chronicle of the Big Fire – Yerolympos
Farewell to Salonika – Leon Sciaky
Twice a Stranger – Bruce Clark
Heirs of the Greek Catastrophe – Renee Hirshon
Population Exchange and Rural Settlement of Refugees – Kontogiorgi
The Unmixing of Turks and Greeks – Nansen Memorial Lecture – Huntford
Crossing the Aegean – edited by Renee Hirshon
I was sent to Athens – Morgenthau
Smyrna: The Destruction of a City – Marjorie Housepian Dobkin
Paradise Lost, Smyrna 1922 – Giles Milton
The Balkan Exchange of Minorities – Dimitri Pentzopoulos
Greece and the Greek Refugees – Eddy
Beyond the Aegean – Elia Kazan
Christ Recrucified – Kazantzakis
Motherland – Dmetri Kakmi
Not Even My Name – Thea Halo
Farewell Anatolia – Dido Sotiriou
The Mermaid Madonna – Stratis Myrivilis
Secrets of the Bosphorous – Morgenthau
The Jewish Community of Salonika – Bea Lewcowicz
The Illusion of Safety – Michael Matsas
From Thessaloniki to Auschwitz and Back – Kounio Amariglio
The Holocaust in Salonica: Eyewitness Accounts – Ed. Steve Bowman
Greece – A Jewish History – Fleming
Road to Rembetika – Gail Holst
The House by the Sea – Fromer
The Origins of the Greek Civil War – Close
Greek Civil War – O’Ballance
Becoming a Subject: Political Prisoners – Polymeris Voglis
After the War was Over – Ed. Mark Mazower
Eleni – Nicholas Gage
Sephardi and Middle Eastern Jewries – ed. Goldberg
“To Nisi”, Mega TV’s 26-part adaptation of Victoria’s novel “The Island”, is the most successful series in the history of Greek television, watched by almost three-quarters of the population. Now, its success has moved further afield with Mega selling broadcast rights to the series to Germany, Turkey and Croatia, where broadcasting will begin later in the year. The production, the most expensive in the history of Greek television garnered rave reviews over its six month run. Production stills, video footage and behind-the-scenes information about the programme can be found here, while those of who speak Greek can watch it online at Mega Web TV
Victoria Hislop visits a former leprosy colony off Crete
I met Manoli Foundoulakis on 20 January 2007, in a hotel in Crete. It was at exactly six o’clock in the evening. His punctuality was only one of the many differences between Manoli and every other Greek I had ever encountered. We met because I had written a novel set on Spinalonga, a small island off Crete, which was a leprosy colony from 1903 until 1957, and Manoli had been asked to write a foreword to the Greek edition. He was a former leprosy sufferer, and still lived in the village opposite the island.
When I wrote The Island, my complete lack of Greek meant that I had not been able to do any research about the people who had lived on Spinalonga. Everything about the island itself, the patients and the doctors came from my imagination as I sat at my desk back in England. Indeed, Manoli was the first European with leprosy that I had ever met. I had always maintained a firm conviction that those who suffered from this disease would be as funny, clever, charming and wise as anyone else. Why would they not? And in Manoli, I saw how close to the truth my instinct had taken me.
When he emerged from the shadows of the hotel foyer to shake my hand, I was shocked. This was not because of the way he looked as, in spite of the very obvious damage that had been done to his face by the disease, Manoli was still a handsome man. It was more the feeling that a character in my novel had come to life.
I was anxious that Manoli might be critical of the assumptions I had made about the lives of people with leprosy. Instead he thanked me for lifting the stigma that had blighted his life for so many years. However, at that first meeting, someone had to translate every sentence we spoke to each other. I decided there and then that I would find time to learn Greek in order to talk to Manoli. I began my lessons in London shortly afterwards and gradually realised my ambition. (read more)
The phenomenal success of the Greek TV production “This Island” (To Nisi) continues. The 26 part series has now been sold in a number of countries and is currently being broadcast in neighbouring Turkey. Broadcast rights for the production have been sold to half a dozen countries including Germany, Cyprus and Croatia,
Victoria visited the set of the production during filming and even played a walk-on part in the adaptation. The series, which has been critically acclaimed in the press, has beaten all records for TV viewing in Greece, with almost 70% of the population tuning in to follow Victoria’s moving, harrowing story. For production photos, videos and behind-the-scenes footage of filming, click here.
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