For novelist Victoria Hislop “courage” lies in the lives of every day people, whose stories act as the source of inspiration in her novels. Her stories either set in the island of Crete or in Granada are all connected by the common thread of courage, as exemplified by her heroes. In this talk Hislop unfolds the inspirational stories of courage behind her novels.
About TEDx In the spirit of ideas worth spreading, TEDx is a program of local, self-organized events that bring people together to share a TED-like experience. At a TEDx event, TEDTalks video and live speakers combine to spark deep …
For me the essential flavours of Greece are feta, lemon, olive oil and fresh figs – here are some of my favourite dishes that make use of these ingredients.
FAVA
this is very popular dip – specially in Crete – and is extremely simple to make. Everyone in Greece has their own way of making it. This recipe was scribbled down one night in a rebetika bar in Thessaloniki by my lovely Greek publisher, Costas Papadopoulos. It is very simple but works perfectly.
Serves 6
175 g of yellow split peas
2 roughly chopped onions
1 large lemon
2 whole cloves of garlic
4 fl oz of Greek olive oil (use no other!)
Bring the peas to the boil and remove the foam. Add salt, garlic and half the onions then continue to simmer for approximately 40 minutes. Remove from the heat and mash/sieve when cool. Stir in the lemon juice and olive oil, caramelise the remaining onions and serve – with vegetable sticks or bread.
CUCUMBER SOUP
– this is a perfect chilled soup for warm evenings (and best of all requires no cooking)
Serves 6
3 big cucumbers
12 big leaves of mint (plus 6 pretty ones for garnishing)
Mild feta
Salt & pepper
Peel cucumbers and roughly chop. Put in food processor and whiz for a few seconds (not too long as you still want some texture). Finely chop the mint (by hand) and add to the cucumber then add salt and pepper to taste. Crumble the feta and put a spoonful in the bottom of each soup bowl. Pour on the cucumber, then sprinkle a little more feta on top, along with a single mint leaf.
CHICKEN WITH OLIVES
Serves 6
100 ml of olive oil
12 chicken thighs
6 chopped shallots
3 chopped celery sticks
3 sliced carrots
1 lemon
Plenty of pitted black olives (I like at least six per person)
150 ml of water
150 ml of white wine
Salt & pepper
Brown the chicken thighs in a pan with the olive oil and seasoning and put in an over proof dish. Saute the shallots, celery, carrots until they are just softening then add water, wine and lemon juice. Simmer for ten or fifteen minutes, then pour over the chicken. Cover the dish and put in oven at around 190 degrees c for an hour. Add the olives and put in for a further 30 minutes. To garnish, sprinkle with a handful of chopped coriander.
Serve with thick golden fingers of potato tossed in olive oil and roasted in the oven, and a green salad.
FIGS IN FILO PASTRY
Serves 6
Filo pastry
10 figs (cut into quarters, wedge shaped)
80 g of flour
80 g of granulated sugar
4 eggs
350 ml milk
1 tsp of almond essence
Line a dish with the filo pastry and place in the figs, fleshy side up. Mix flour and sugar and beat in the eggs, milk and almond essence. Pour this on top of the figs and bake in the oven for 50 minutes at 180 degrees c (put a piece of aluminium foil over the tart to prevent the filo pastry burning). Remove from oven and serve warm, dusted with icing sugar and with thick Greek yogurt.
Victoria recently took part in a performance of Cavafy’s poetry, set to music by Athanasios Simoglou, and sung by the soprano, Sonia Theodoridou, at Pallas Theatre, Athens.
This week, I remembered what is was like to be back at university, studying literature. On this occasion, though, I was in Greece. And it was a thrilling experience.
I came to Athens to participate in a recital of works by the great Greek poet, Cavafy, set to music by Athanasios Simoglou and sung by the wonderful soprano, Sonia Theodoridou. I read in both English and Greek and learned a huge amount in both languages.
I found that Cavafy, both in the original and in translation, spoke so directly and honestly to me that it was almost shocking. His voice seemed loud and clear, his words sprang off the page. Here is a poet that unites intellectual ideas with emotion, but where emotion never plays a secondary role. In my years at university, I rarely came across this in English poetry.
In translation, Cavafy’s poems taught me new things about the Greek soul and mentality. I discovered how close is their sense of mortality. At times I found him over-pessimistic (in “Monotonia”, for example), but then he would pick me up again and urge me to seize life and enjoy the journey. I listened to him, and realised this gave me a new understanding of Greece and why many of my friends here seem to grab life with both hands, as though each day might be their last. Their attitude makes more sense to me now.
Equally fulfilling for me was to learn new words and to expand my knowledge of the language. It’s not my role to criticise translators, but reading a translation against the original made me more determined than ever to master Greek, so that nobody gets in the way with their own interpretation. The beauty of the Greek was not always matched by the sometimes clumsy English words printed on the page.
I have much more to learn about Cavafy, both the man and his work. It is a journey I know I am going to enjoy. (Courtesy www.ellines.com)
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