Victoria Hislop has received four Specsavers Bestseller awards for her bestselling titles: The Island, The Thread, The Return and The Sunrise.
Her 2005-published novel, The Island, which was inspired by a visit to anabandoned Greek leprosy colony, receives a Platinum award for selling over a million copies. It became a 26-part Greek TV series and win Newcomer of the Year at the British Book Awards.
The Thread, The Return and The Sunrise, the last of which about the Turkish invasion of Cyprus published in 2014, receivedGold awards for sales of over half a million copies.
Hislop was presented with the awards, celebrating the most successful books in Britain based on actual sales measured by Nielsen Book, at a ceremony at the Hachette offices in central London.
Her publisher, Mari Evans, managing director of Headline, said Hislop was “fast achieving national treasure status as a novelist”. She continued: “Her unique brand of storytelling, which is wholly immersive and so very evocative of place, has always resonated strongly with readers – and not only in the UK. Her domination of bestseller lists around the world means she is beloved by millions. Victoria encourages the most creative approaches to publishing in the teams that work with her and as one of those team members, I couldn’t be more delighted to see this tangible recognition of her bestseller success.”
Andre Breedt, managing director of Nielsen Book, added: “We are delighted to be able to recognise great sales of any title, but to be able to recognise four bestselling titles from the same author is an amazing achievement. And with her latest novel, Cartes Postales from Greece, at the top of the charts at the moment, an award for Victoria’s fifth bestselling novel can’t be far away.” (read the full story at The Bookseller)
The Island, Victoria Hislop’s internationally bestselling debut novel has been chosen by readers as one of WH Smith’s Best Paperbacks of All Time, joining works as dazzlingly diverse as To Kill a Mockingbird and Pride and Prejudice. You can see a full list of the books chosen by readers here.
WHSmith says of their Best Paperbacks of All Time
Paperbacks offer us a world where we can do things we’d never imagine, meet people who are larger than life and experience events that will change our perspective on life forever. A good paperback reels you in and keeps you gripped until the last page, but a great paperback stays with you long after you’ve put that book down.
Every reader has experienced a book like that, and we like to think that every reader is searching for the next book to leave an impression like that on them. And so we took to Facebook and Twitter to ask our followers for the paperbacks that made an impact on them, the ones that they’re constantly recommending to friends – the best paperbacks of all time.
The results are in, and we received a phenomenal number of votes, including everything from books that ignited your love for reading, to controversial books that changed your view of the world, to beautifully written stories that lingered in your imagination. We’ve counted up the votes and below we have your top 100 paperbacks of all time. Take a look to see if your favourite made the top 100, and browse for the next book that could make an impact on you.
Victoria Hislop’s collection of favourite short stories by other female writers, simply titled The Story has given me more pleasure this year than almost all the rest of my reading put together. Like a box of festive Quality Street, you can dip in and never be sure what you will encounter – it might be Virginia Woolf or Alice Munro, this year’s Nobel Prize for Literature winner. Hislop highlights some of the very best writing of the past 200 years, with topics that range far and wide, from humour to pathos, and politics to sex.
Witty, heartbreaking, shocking, satirical: the short story can excite or sadden, entice or repulse. The one thing it can never be is dull. Author Victoria Hislop, a passionate ambassador for the art of the short story, has hand-picked one hundred stories from the very best women writers, bringing them together in a beautifully produced volume, with a personal introduction.
The Story features two centuries of women’s short fiction, ranging from established masters Alice Munro and Angela Carter, to contemporary rising stars such as Miranda July and Chimamanda Ngozi Adichie. Divided thematically into collections on love, loss and the lives of women, the reader will find a story for every mood, mind-set and moment in life.
‘While gathering the short stories for this anthology, I have read some of the most brilliant and profound pieces of writing that I have ever come across. The authors in this anthology range from a Nobel Prize winner, Doris Lessing, to the acknowledged queen of short stories, Alice Munro. There are Man Booker winners, Costa winners and Pulitzer winners. A few were born in the 19th century but the majority are more modern. Several of them are as yet unknown, others are household names, like Virginia Woolf. Many of the most vivid and passionate storytellers are young. And without doubt many of the most powerfully original are contemporary writers …
Random reading recommendation: The Story: Love, Loss & The Lives of Women: 100 Great Short Stories edited by @VicHislop . A rich feast.
Victoria Hislop’s collection of favourite short stories by other female writers, simply titled The Story has given me more pleasure this year than almost all the rest of my reading put together. Like a box of festive Quality Street, you can dip in and never be sure what you will encounter – it might be Virginia Woolf or Alice Munro, this year’s Nobel Prize for Literature winner. Hislop highlights some of the very best writing of the past 200 years, with topics that range far and wide, from humour to pathos, and politics to sex. Books of the Year: Mariella Frostrup, Mail on Sunday
“This huge, beautiful book is a treasure chest of 100 women’s short stories chosen by Victoria Hislop. There are classics, such as Elizabeth Taylor’s The Blush and Katherine Mansfield’s The Canary. In fact, the index reads like a roll-call of the best female writers of the past century, from Virginia Woolf to Hilary Mantel. Alongside Helen Simpson’s brilliant Up at a Villa, in which heartless teenagers get a vision of their future selves, there’s Muriel Spark’s The First Year of My Life, in which a baby narrates the world events of 1918. Relative newbies such as Lucy Wood (Diving Belles) and Chimamanda Ngozi Adichie (The Thing Around Your Neck) more than-hold their own beside thundering names such as Alice Munro, Nadine Gordimer and Margaret Drabble. A collection so good, it’s essential.” The Times.
In this beautiful and vast collection, Victoria Hislop has pas picked her glittering line-up of authors to include Nobel Laureates, Man Booker, Pulitzer and Costa prize winners.[…] these stories are all written by women and represent some of the finest modern writers in the English language. Otherwise, the scope is wide, rich and often unexpected: a collection of fluffy chick-lit this is not.
Perhaps as an early means to defy preconceptions, Hislop picks Katherine Mansfield’s incomplete “An Unmarried Man’s Story” as her appetiser. Employing a male narrator and a modernist structure, Mansfield’s abstract style is challenging but rewarding. Her fragmented glimpses of past and present create an authentic circularity in the search for reality. Other writers also use the male narrator, but no one as frankly as AM Homes, whose brilliant story opens with a man analysing his manhood; “I am sitting naked on a kitchen chair, staring at it.”
Darkly comic, Dorothy Parker’s monologue “The Telephone Call” has a woman obsess about a call to an uninterested lover: so familiar and excruciating, but it blows Bridget out of the water. Doris Lessing’s aptly named “A Man and Two Women” involves a woman drawn into a relationship between two friends: an unset t lingly voyeuristic study of married life. Most memorable, perhaps, is the mercurial love of a mother, galloping on a horse wielding a sword to save her doomed, impassive daughter in Angela Carter’s subversive “The Bloody Chamber”.
The stories cross borders of distance as well as genre and time. Yiyun Li’s “Love in die Marketplace” explores an uneasy but fierce love between mother and a forsaken daughter, each clinging to the dignity of their life, after being sidelined by their rural Chinese culture. Stylistic experimentation is not overlooked and in “The Thing Around Your Neck”, Chimamanda Ngozi Adichie writes about immigrant experience in the second person, a device that lends a fresh potency where it might irritate in a novel. Surreal and symbolic, Anna Kavan’s daring story starts with a visit from “an unusually large, handsome leopard” whose appearance begins a compulsion for the unattainable.
If perfection exists in the form it comes from Alice Munro who proves herself worthy of her recent Nobel Prize. In “Miles City, Montana” and “Gravel”, Munro reveals the devastation caused by “all our natural, and particular, mistakes”. Freya McClelland, Independent
The Story is a beautifully put together collection of 100 pieces of short fiction from masters of the genre including Angela Carter, AM Homes, Alice Munro, Flannery O’Connor, Ali Smith, Emma Donoghue, Jeanette Winterson and Katherine Mansfield. Divided into the categories Love, Loss and The Lives of Women, the volume showcases the very best writing by women, and the talent and variety on display is staggeringly impressive. From Virginia WooIf’s wonderfully wry, thought-provoking A Society, in which a group of disillusioned women agree to stop having children until they have found out what the world created by men is like, to A.M. Homes’ twisted A Real Doll, in which the young protagonist develops an intense physical relationship with a Barbie, these stories illustrate just how powerful and versatile the form can be. For fans of this sometimes overlooked genre, Christmas has come early. Diva
“The Costa Short Story Awards were announced on 28th January. Victoria was a judge for the short story award for the second year. This is a competition open to everyone, from established writers to those who have never been published. This year there were approximately 1500 entries and the shortlisted six were then voted on by the public to establish the final winner.
Winners
Winners and judges for the short story competition
The winner of this year’s Costa Short Story award was: Angela Readman for The Keeper of the Jackalopes
Two runners-up were also announced:
Kit de Waal for The Old Man and the Suit
Tony Bagley for The Forgiveness Thing
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